From Nature by Ralph Waldo Emerson written in 1836.
The inhabitants of cities suppose that the country landscape is pleasant only half the year. I please myself with the graces of the winter please myself with the graces of the winter scenery, and believe that we are as much touched by it as by the genial influences of summer. To the attentive eye, each moment of the year has its own beauty, and in the same field, it beholds, every hour, a picture which was never seen before, and which shall never be seen again. The heavens change every moment, and reflect their glory or gloom on the plains beneath. The state of the crop in the surrounding farms alters the expression of the earth from week to week. The succession of native plants in the pastures and roadsides, which makes the silent clock by which time tells the summer hours, will make even the divisions of the day sensible to a keen observer. The tribes of birds and insects, like the plants punctual to their time, follow each other, and the year has room for all. By water-courses, the variety is greater. In July, the blue pontederia or pickerel-weed blooms in large beds in the shallow parts of our pleasant river, and swarms with yellow butterflies in continual motion. Art cannot rival this pomp of purple and gold. Indeed the river is a perpetual gala, and boasts each month a new ornament.
From: The Breath of Nature by Zhuang Zhou
When great Nature sighs, we hear the winds
Which, noiseless in themselves,
Awaken voices from other beings,
Blowing on them.
From every opening
Loud voices sound. Have you not heard
This rich of tones?
There stands the overhanging wood
On the steep mountain:
Old trees with holes and cracks
Like snouts, maw, and ears,
Like beam-sockets, like goblets,
Grooves in the wood. hollows full of water:
You hear mooing and roaring, whistling,
Shouts of command, grumblings,
Deep drones, sad flutes.
One call awakens another in dialogue.
Gentle winds sing timidly,
Strong ones blast on without restraint.
Then the wind dies down. The openings
Empty out their last sound.
Have you not observes how all then trembles and subsides?
Yu relied: I understand:
The music of earth sings through a thousand holes.
The music of man is made on flutes and instruments.
What makes the music of heaven?
Master Ki said:
Something is blowing on a thousand different holes.
Some power stands behind all this and makes the sounds die
What is this power?